The Metaphorical Boat Spotify Playlist - January/February 2017

For those of you who like your musical recommendations in playlist-able Spotify form, on a bimonthly basis The Metaphorical Boat posts a selection of songs that we have been enjoying over the prior eight weeks or so, containing songs that we've written about, new songs that we haven't written about but are enjoying nonetheless, and a few older but fantastic tracks that are currently floating our Metaphorical Boat.

Below you can find our playlist of songs that we really enjoyed in January & February 2017. If you like what you hear, or just want another playlist to add to your growing list of playlists, then we really hope that you'll take the time to visit the playlist on Spotify and give it a follow. You never know, your new favourite song of all time could be somewhere on this playlist!

This month's playlist feature songs from established artists like London Grammar, Elbow,  Japandroids, Goldfrapp & Imagine Dragons, songs from newer bands such as The Mysterons, Ten Fé, The Shimmer Band, OUTLYA & Childcare, plus local acts like PATHS, Tiernan, Pleasure Beach, Jealous of The Birds with Ryan Vail & Callum Stewart. Plus just for the heck of it, we've added "City of Stars" from the not-winner of the Academy Award for Best Picture. Lots of great music from lots of great people for your ear-based amusement.

In addition, as of 2017 The Metaphorical Boat has started a rotating playlist of songs, which we will update on a regular basis. We've had it in the side-bar of the site for a few weeks now, but this is our official acknowledgement of its existence. Yay!

 As soon as we come across a new song that we like, it will automatically go to the top of this playlist, and we will remove a song from the playlist as soon as it has been on it for 2 months, so if you give it a follow, you will always have a fine conveyor belt of fantastic music courtesy of us at The Metaphorical Boat. You can find the playlist as it stands as of now below -

Bokito - Better At Getting Worse

The first time I came across the name of the band Bokito, I automatically assumed they were Japanese. I saw their name on the website for The Great Escape, and based on my incredibly rudimentary knowledge of the syllable structure of the Japanese language, assumed that was where they were from.

However, it turns out that I am wrong, as Bokito are in fact based in London, with their lead singer hailing from Kilkenny. In fact, I am now even less sure that bokito is in fact a Japanese word still in use. I've found a dictionary that seems to suggest that it's an onomatopoeic word for the snapping of fingers or a radish. However, as that dictionary dates from 1892, I cannot be sure if it is still in use in contemporary Japan. If you know better than me as to whether that is indeed the case, please let me know, for I am genuinely curious.

But back to Bokito the band. They describe their sound as a "tropical indie", which straight away means you're likely to get instant Vampire Weekend comparisons. "Better At Getting Worse" is the first track to come across our radar, and it's a decent introduction to the band, filled with organ sounds , unconventional Afro-beat rhythms, and vocals that sound surprisingly close to those of Marcus Mumford. It sounds like they'd be great fun to see live, which hopefully we'll get the chance to do at The Great Escape in May, now than I know who they are.

"Better at Getting Worse" is out now.

PATHS - Right Beside You/Last One Standing

It's barely been a month since we first wrote about PATHS, the electronic solo project of Northern Irish music mainstay Jules Shaw. Her first single, "Neoprene", has gone down incredibly well, picking up a smorgasbord of love right across the spectrum, getting played on Radio 1 and being picked up by some lovely other blogs.

Since then, we've had the pleasure off seeing PATHS' first gig, which took place during the Output Festival in Belfast at Aether & Echo. The music comes across really well on stage, with the loops and guitars complimented by a visually impressive light display (which we later learned took several months to program in anticipation of this gig), and it seemed to go down well with the crowd, which is always a good sign on a debut gig.

Given the warm reception received since its debut, it looks as if PATHS is hoping to strike whilst the iron is hot by released a brand new A/B side single mere weeks after her first single debuted. It's a bold move, but given the strength of the songs to come out of it, a pretty nifty one.

The A-side of the single is "Right Beside You", a song that PATHS says is about 'digital distraction'. The song is built around an off-kilter woodwind sample (or possibly string? We're not 100% certain), which is complimented by layers upon layers of harsh synth sounds over a triplet-beat.



However, it is the B-side of the single that we are most excited about, "Last One Standing". When we saw PATHS live, it was the song that really stood out in the set, and we're really glad that a full recording has come out so quickly, as we believe that it's going to be the song that's going to help PATHS make the next big breakthrough in her career.

Why? Because it's so darn infectious, that's why. When we find ourselves humming the main riff of a song for hours after we hear it for the first time, we know that we're on to a winner. There's a few tropical-house elements floating around "Last One Standing", and as well has having a few 80s influences thrown into a modern sounding production (those drum rushes at 2:49 are to die for). It's a pity that it's being classed as the B-side of this release, as it is our favourite release from PATHS to date, but we're confident that once a few more people catch wind of "Last One Standing", it is going to blow up in a massive way.



Both "Right Beside You" & "Last One Standing" are available to download/stream now from all the usual outlets.

Childcare - Kiss?

We're well aware at The Metaphorical Boat that many of the artists that we write about on this site don't derive their income solely from their musical exploits (although if we had our way, we would ensure that was the case, but that's another story), and that many of them work in other jobs to either subsidize or pay for the music that they create.

What is less common however is for said artists to put the fact that they work in another career at the front and centre of their musical work. That's what Ed Cares, who outside of music works full time as a nanny, did when he formed the band CHILDCARE. They've released a few singles over the past few years, and have supported Bastille on tour, although it is with their latest single that they've really grabbed us.

"Kiss?" was written after an incident Ed experienced whilst picking up the children he looks after from school, when an attempt to greet one of the waiting mums didn't go exactly the way he planned. The song features a great male/female vocal interplay over a poppy indie-rock beat, a great song about a moment of sheer awkwardness.

"Kiss?" is out now, and the band are due to play at The Great Escape in Brighton in May.

Jon Solari - Sistine Chapel

Having followed the local Northern Irish music scene for some time now, it is not rare for us to see bands come to their natural conclusion, before splintering off into many numerous different projects, many of which of a solo nature. We've written before about the band New Ancestors, and more recently about how one of their members turned his music towards recording as Brash Isaac.

Now, another member of that band has gone down the solo route, although in Jon Solari's case, he's decided to record under his own name. "Sistine Chapel" is the first song released from him, and it's a great little introduction. It's not a million miles away from the raucous folk-rock that he was making whilst working with The 1930s many moons ago, but with added polish and with a really strong chorus to boot.

"Sistine Chapel" is taken from the E.P "Guilt Trip", which is out now.